Die Ölgemälde alles Giulio Romano


Choice ID Image  Painting (From A to Z)       Details 
30970 Bataille Navale  Bataille Navale   mk70 Toile sur bois H.Diam0.62 Paris,Musee du Louvre
94747 Battle of the Milvian Bridge  Battle of the Milvian Bridge   1520-1524 Type fresco Dimensions ? cm x ? cm cyf
89123 Coronation of the Virgin  Coronation of the Virgin   between 1505(1505) and 1525(1525) Medium oil on wood cyf
45893 Drawing-rooms dei Cavalli  Drawing-rooms dei Cavalli   mk178 1528 frescos Mantua, Palazzo del Te
30969 La nativite de l'enfant jesus avec l'adoration des bergers entre Saint Jean l'Evangeliste et Saint Longin  La nativite de l'enfant jesus avec l'adoration des bergers entre Saint Jean l'Evangeliste et Saint Longin   mk70 Bois H.2.75 L.2.12 Paris,Musee du Louvre
32198 Madonna and Child  Madonna and Child   mk78 Oil on panel 41 5/16x30 5/16in
6916 Portrait of a Woman sag  Portrait of a Woman sag   c. 1531 Oil on panel, 115,5 x 90,5 cm Royal Collection, Windsor
1797 Room of the Giants  Room of the Giants   c1527
23304 Room of the Giants (nn03)  Room of the Giants (nn03)   c 1527 Fresco Palazzo del Te Mantua
26736 Self-Portrait  Self-Portrait   c.1540
83263 The Adoration of the Shepherds  The Adoration of the Shepherds   Date ca. 1535(1535) Medium Oil on wood cjr
89155 The Adoration of the Shepherds  The Adoration of the Shepherds   1535(1535) Medium oil on wood cyf
97218 The Adoration of the Shepherds  The Adoration of the Shepherds   circa 1535(1535) Medium oil on panel cyf
98312 The Circumcision  The Circumcision   first half of 16th century Medium Oil on wood transferred to canvas cyf
40356 The Fall of the Giants  The Fall of the Giants   mk156 1526-34 Fresco
6912 The Fall of the Gigants sh  The Fall of the Gigants sh   1526-34 Fresco Palazzo del T??, Mantua
30491 The Giants Hurled Down from Olympus  The Giants Hurled Down from Olympus   mk68 Fresco, Mantua,Palazzo del Te 1532-1534
97985 The Lovers  The Lovers   circa 1525(1525) Medium Oil on panel cyf
20187 The Nativity and Adoration of the Shepherds in the Distance the Annunciation to the Shepherds (mk05)  The Nativity and Adoration of the Shepherds in the Distance the Annunciation to the Shepherds (mk05)   Wood,1081/4x 831/2''(275 x 212cm).Collection of Charles I;acquired by Louis XIV from Eberhard Jabach in 1662
20188 The Triumph o Titus and Vespasian (mk05)  The Triumph o Titus and Vespasian (mk05)   Wood,471/4 x 271/2''(120 x 70 cm).Commissioned by Federico Gonzaga;collections of Charles I,Eberhard Jabach,and Louis XIV
73694 The Triumph of Titus and Vespasian  The Triumph of Titus and Vespasian   1,70 m x 1,20 m Oil painting on wood Louvre, Paris c. 1537-1540 cjr
75294 The Triumph of Titus and Vespasian  The Triumph of Titus and Vespasian   1,70 m x 1,20 m Oil painting on wood Louvre, Paris Date c. 1537-1540 cyf
56696 triumph of titus and vespasia  triumph of titus and vespasia   mk247 c.1537,oil panel 47x67 in,12x170 cm,louvre,paris,france
83588 Virgin and Child with the Infant St John  Virgin and Child with the Infant St John   Date ca. 1523(1523) Medium Oil on wood Dimensions Height: 126 cm (49.6 in). Width: 85 cm (33.5 in). cjr
87418 Virgin and Child with the Infant St John  Virgin and Child with the Infant St John   1523(1523) Medium Oil on wood cyf
30484 Wedding Feast of Cupid and Psyche  Wedding Feast of Cupid and Psyche   mk68 Fresco Mantua,Palazzo del Te 1528

Giulio Romano
Italian 1492-1546 Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L'incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master. In the Palazzo Te, MantuaAfter the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525?C1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.



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